About
Rob is a Digital Imaging Technician and Dailies Colourist running a self-contained near-set mobile lab. He delivers data and colour workflow management, dailies creation and DOP support across Alexa 35 and Sony Venice pipelines, with Starlink-enabled same-day delivery to editorial.
His focus is on protecting the DOP's vision from on-set capture through to post: a secure, streamlined data and colour pipeline with consistent dailies and a clean handover to editorial and finishing. The role sits between camera and post, and he treats it that way: a collaborator for the DOP on look development and a clean, well-documented handover for the editorial and finishing teams.
The lab is independent. Power, network, monitoring and lab redundancy all live on board, so production gets near-set autonomy without a post-house tether. Same-day rushes are the default. LUTs and CDLs travel with the show. The DOP has a colourist on call, in the car park, for the run of the job.
Credits span
Selected Credits
| Year | Production | Company / Network | DOP | Camera | Duration |
|---|---|---|---|---|---|
| 2025 | The Cage (Data Manager) | BBC | Árni Filippusson | 2 × Alexa 35 | 16 weeks |
| 2024 | Heel (Feature) | RCP / Skopia | Michał Dymek | 2 × Alexa 35 | 8 weeks |
| 2024 | Madfabulous (Feature) | Mad As Birds | Laurie Rose | 2 × Alexa 35 | 8 weeks |
| 2024 | Such Brave Girls (S02) | Various Artists Ltd / A24 | Ed Tucker | 2 × Alexa 35 | 8 weeks |
| 2024 | Entitled | Channel 4 / Showtime | Andy Hollis | 2 × Sony Venice | 9 weeks |
| 2023 | Sherwood (S02) | House Productions / BBC | Simon Tindall, Nick Cooke | 2 × Sony Venice | 18 weeks |
| 2023 | Boat Story | Two Brothers / BBC | Árni Filippusson, Anna Patarakina | 2 × Alexa 35 | 19 weeks |
| 2023 | The Reckoning | ITV / BBC | Ashley Rowe | 2 × Alexa LF | 12 weeks |
| 2022 | Nolly | ITV / Quay Street | Sam Care | 2 × Sony Venice | 8 weeks |
| 2022 | The Full Monty | Disney+ | Malte Rosenfeld | 2 × Alexa LF | Dailies |
| 2021 | The Responder (S01) | BBC / Dancing Ledge | Matt Smith | 2 × Alexa | 6 weeks |
| 2020 | Get Even (S02) | Netflix / BBC | Hamish Anderson | Alexa LF / BM URSA | 12 weeks |
| 2019 | Watchmen (2nd Unit) | Monterey / HBO | n/a | Alexa / ProRes | 1 Block |
2025
The Cage (Data Manager)
2024
Heel (Feature)
2024
Madfabulous (Feature)
2024
Such Brave Girls (S02)
2024
Entitled
2023
Sherwood (S02)
2023
Boat Story
2023
The Reckoning
2022
Nolly
2022
The Full Monty
2021
The Responder (S01)
2020
Get Even (S02)
2019
Watchmen (2nd Unit)
Mobile Lab
Lab
Self-contained near-set van lab. Starlink networking, portable power, grading-grade monitoring and full lab redundancy. Same-day dailies creation and delivery.
Software
- Pomfort Silverstack
- Pomfort Livegrade
- DaVinci Resolve (expert)
- Nobe OmniScope
- XXHash-64 / MD5 verification
- All major camera codecs
Cameras
- ARRI Alexa 35 (advanced colour workflow)
- Sony Venice
- Alexa LF / Mini / Classic
- Sony FS7
- RED Dragon
- Blackmagic URSA
Booking
Three booking options, depending on scope. No rates published. Quote on brief.
Full Near-Set Mobile Lab
Full data and colour management, dailies colourist, LUT/CDL development, DOP support, transcoding and delivery. For drama bookings, full season.
Standard Near-Set Lab
Data management, dailies creation with colour management, LUT/CDL workflow, transcoding and secure delivery. The default booking.
Data and Dailies
Stripped back option for post-house dailies contracts or tighter budgets. Offload, verification, transcoding and dailies, no on-set responsibilities.
All tiers include XXHash-64 / MD5 verification, transcoding to editorial and VFX deliverables, LUT/CDL workflow management, and Starlink-enabled same-day delivery where required.
Get in touchColour and DI
Feature restoration grading runs alongside the DIT work. Most recent for Arrow Films: Ministry of Vengeance.
Short film colour and finishing on BFI-backed pieces including Fake Ghost Catchers, Box Of Frogs, Bando, The Romantics and Lonelier Than Love. Working with directors from rushes through final DCP.
Finishing-room build and DI workflow for Dragon Post Production's Liverpool branch, including equipment sourcing and the online editing and grading pipeline.
Available for restoration colour, short and feature grading, and finishing-room consultancy.